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Spotify Bets on Becoming the Music Service AI Agents Choose

Gustav Söderström says listeners will ask AI assistants for music, and Spotify is building its service to be one they call on

By AXY AI Desk ·

Spotify huvudkontor i Stockholm
Spotify huvudkontor i Stockholm

Key points

Spotify co-CEO Gustav Söderström told investors on the company’s third-quarter earnings call that the rise of AI agents could be good news for the music service. Spotify reported 788 million monthly active users and nearly €5 billion (around $5.6 billion USD) in revenue for the quarter. His argument is that AI agents may send people to Spotify rather than pull them away, and that the company wants to be the music service those agents turn to.

An AI agent is software that carries out a task for a person after being asked in ordinary language. Instead of opening several apps and tapping through each step, a user tells the agent what they want and the agent handles the steps. Söderström has framed Spotify’s future around what he called the agentic age, a period in which these tools handle more everyday tasks. For a music company, the question is simple. If an agent becomes the place where people start, who gets chosen to supply the music, podcasts and audiobooks behind it?

Söderström’s Case for Keeping Music Out of the Chore Pile

Söderström said Spotify is well placed for this shift. “Spotify is in one of the few categories that actually stands to thrive in the agentic age,” he told investors. “This is because agents excel at replacing and taking care of things people would rather not do. People love getting rid of chores. But entertainment is the opposite. Nobody asks an agent to ‘summarize a song’ for them.”

The argument rests on a difference between tasks and pleasures. People are willing to hand off jobs they find tedious, such as paperwork or routine errands. Listening to music, watching a show or hearing a story is different. Many people want to be involved in those choices, and they often enjoy the search as much as the result.

That difference is the core of Söderström’s pitch. If agents take over the dull parts of life, they will not take over the pleasure of listening, and they may give people more ways to reach the music they already like. This is AXY’s reading of his remarks, and it is a reasonable one. The test is whether listeners treat an assistant as a helper for choosing songs, or as a replacement for the moment of choosing them themselves.

How a Listening Session Could Start in a Chat Window

Today, most listeners open Spotify, search for an artist and build a playlist by hand. Söderström described a different path. Instead of doing those steps in the app, a person could ask an AI assistant for music to run to, a podcast about something they have been discussing with an AI, or an audiobook recap that picks up exactly where they left off.

In that setup, the assistant becomes the front door and Spotify becomes the service behind it. The listener may never open the app, but Spotify still supplies the content. That is the reason the company is trying to be the service that agents use. If it succeeds, its place in people’s listening would depend less on how often someone opens its app and more on how often an assistant chooses Spotify when someone asks for something to play.

This is also a risk. A company that depends on agents to deliver its listeners is only as strong as its relationship with those agents. If an assistant picks a rival, or if a listener never sees Spotify named at all, the app could become a fallback rather than the default. For Spotify, the aim is to be the choice the assistant makes every time.

Spotify’s Existing Links to Meta’s Muse, ChatGPT and Claude

Söderström said Spotify has already moved into several assistants. The company was the first music service to integrate with Meta’s Muse assistant, and it also integrates with ChatGPT and Claude. In plain terms, an integration is a connection that lets one piece of software use another. In this case, it gives an assistant a way to reach Spotify’s catalogue so that a request for music can be answered inside the chat rather than in a separate app.

Söderström said Spotify is seeing “really good adoption of Spotify inside these agents.” He also contrasted his company with others in the industry. “While other companies are maybe trying to figure out what to do and many are leaning out, we are actually leaning in and participating in the growth instead of standing by the roadside and looking at it,” he said.

That is a clear strategic choice. Some companies are holding back from agents while they work out what the technology means for their business. Spotify is opening its service to them, betting that an early presence will matter once agents become a common way to find content. The early integrations give the company a practical test of whether people actually use Spotify through these assistants.

Amazon’s Block on Meta’s Muse Shows the Friction

The plan is not free of obstacles. Amazon has blocked Meta’s Muse from shopping on its platform, according to the source material. The move is a sign of how large platforms may restrict outside agents when questions come up about access, security, privacy or commercial control.

This matters for Spotify because its strategy depends on being able to connect with agents built by other companies. If a major platform can shut out one outside assistant, the same kind of gatekeeping could limit which assistants can reach a music service, and on what terms. Amazon’s decision concerns shopping rather than music, but it shows that a company hosting a large audience may decide who gets in.

For listeners, the question is practical. Will the assistant they already use be able to play what they want, and will it keep working when companies set new limits? For Spotify, the question is whether its partnerships will hold when platforms begin to defend their own territory. This could become the central business question of the agent era, and AXY expects it to be tested as more assistants reach more users.

Why a Running Playlist Is the Pitch for Personal Music

Söderström argued that AI should do more than make entertainment easier to find. He said it should make the experience more personal. He described Spotify today as “an intelligent media service encapsulated as an agent, whether you use it directly through our application or via another agent…Spotify is now an agent that you can not only click on in our app, but talk to, ask questions of, and instruct. We can do things today that no other media services can do.”

To show what he meant, he gave a concrete example. “You can ask Spotify to go through your listening history song by song back to 2008, picking your true favorites, beat-stretching them by speeding them up or down, and then sorting them by key and BPM,” he explained. “Then you can ask it to mix them together into the perfect running playlist at your exact cadence.”

BPM stands for beats per minute, a measure of tempo. The key of a song is the set of notes it is built around. Sorting songs by key and tempo is the kind of job that takes time in a normal app, especially across years of listening. A conversational agent could be asked for the same result in a few sentences. If that becomes normal, the value of a music service may depend as much on how well it understands a listener’s history as on the size of its catalogue.

That is the most interesting part of the pitch. It suggests that Spotify wants to compete not only on what it plays, but on how well it knows the person listening. Whether that matters to ordinary users will depend on whether they find personal tools useful in daily life, not just impressive in a demonstration.

The Three Tests Spotify Faces Next

The first test is use. Söderström said adoption inside these agents is good, and the next step is whether that activity turns into real listening time on Spotify. A person who asks an assistant for a running playlist and then plays it through Spotify is a success. A person who gets a brief reference and moves on is not.

The second test is access. Spotify depends on assistants being willing to connect to it, and on large platforms allowing those assistants to work freely. The Amazon decision shows that these arrangements can be restricted. As agents become more capable and more widely used, companies will have to decide who can reach their users and under what conditions.

The third test is habit. The personal features Söderström described, from a playlist built on a decade of listening to a conversation about a podcast, are appealing as demonstrations. Whether they become a regular part of how people listen will show whether the agent strategy is more than a way to stay visible inside other companies’ products. For now, Spotify is betting that when someone asks an agent for music, the answer will be Spotify.

Questions and answers

What did Spotify’s co-CEO say about AI agents?

Gustav Söderström told investors that the rise of AI agents could be good news for Spotify. He said agents are good at handling chores, while entertainment is something people want to do themselves, and that Spotify wants to be the service agents turn to.

Which AI assistants work with Spotify?

Spotify was the first music service to integrate with Meta’s Muse assistant, and it also integrates with ChatGPT and Claude. Söderström said the company is seeing good adoption of Spotify inside these agents.

Why could AI agents be a problem for music services?

Amazon has blocked Meta’s Muse from shopping on its platform. That shows how large platforms may restrict outside agents over access, security, privacy or commercial control, which could limit how assistants reach music services.

Topics: Spotify, Gustav Söderström, AI agents, Meta Muse, ChatGPT, Claude, music streaming, Amazon

Sources: TechCrunch AI

https://axynewsglobal.com/article/spotify-bets-on-becoming-the-music-service-ai-agents-choose